By that age he had some serious professional achievements under his belt — he was governor of Flushing Vlessingen in the Netherlands, a town the English held as a protectorate for the rebellious Dutch against their Spanish overlords, and he had written, although not widely published, a sonnet cycle, Astrophil and Stella , whose influence would be great in the decades following his death. Following in the tracks of Wyatt, Howard and Spenser, Sidney took new types of poem into the English tradition from Italy and France, and used them to bring the tradition of courtly, or chivalric, poetry to new levels of sophistication and nuance. As for his influence, one does not need to look long through a book of 16 th or 17 th century poetry before finding a sonnet sequence, a la Astrophil and Stella, in which a love-sick knight seeks the hand of an impossibly aloof and unattainable lady with a name of Graeco-Roman vintage. Strange to say then, that by the end of his short life, Sidney seemed to have foresworn some of the very same chivalric values that animated his earlier work. But that is only one of the remarkable things about this poem:. I have too dearly bought,. But yet in vain thou hast my ruin sought; In vain thou madest me to vain things aspire; In vain thou kindlest all thy smoky fire; For virtue hath this better lesson taught, — Within myself to seek my only hire, Desiring nought but how to kill desire. In the first four lines of the poem, Sidney presents us with a list of metaphorical descriptions all applied to the same object — Desire, revealed in the fifth. Note that these are discrete, in some senses mutually exclusive metaphors, and not different aspects of one single extended metaphor.
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More about Summary Of Thou Blind Man's Mark
The author showed his hatred toward his only enemy using many figurative languages to write this poem. The author clearly shows the hatred toward desire by using strident tone, emphasis, rhyme and exaggerations. He explained deeply about how he fights with this enemy, how much he hates this enemy, and how he solved his only enemy. In the beginning of the poem, the author frequently uses the accusing tone toward desire. Desire can complicate the human thinking.
Desire brings madness upon people. The tone of this Poe m is essentially the same as the attitude of the speaker; they both present bitterness. Sidney cream test tone with the use of diction and literary devices. He utilizes poetic devices including personification ion, irony, and also the use of tone, paradox, and diction. These techniques give a represents Zion of how the writer feels about desire.
For him, the desires of his mind are a mire or bog that drags him down and covers him with muck. In lines , Sir Sidney uses a series of imagery-invoking metaphors describing the topic before revealing what it is. In this, he is, to an extent, calling himself a fool, as he recognizes that at times he has strayed in the swamp of desires in his mind and become lost and soiled in it. Up until line five, Sir Sidney has not yet revealed what he is talking about.